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Post Standard, The (Syracuse,
NY)
November 2, 1994 Section: CNY Edition: Metro Page: C4 Column: Joan Vadeboncoeur
ACTRESSES SHINE IN MASTERFUL
'AGNES OF GOD' Joan
Vadeboncoeur, Entertainment Columnist
It takes intestinal fortitude
for a community theater troupe to stage "Agnes of God." That or colossal
ego. On the surface, it seems
to be an ideal project. Only three actresses and a minimal set are required.
The latter keeps
expenses to a minimum. However,
John Pielmeier's drama demands three actresses of extraordinary skills,
depth and
compassion. Appleseed Productions'
version demonstrates neither egomania nor overstretching of the troupe's
capabilities. A psychiatrist has been summoned
to determine the sanity and/or guilt of a young nun who gave birth to a
child;
the child was found strangled. But the struggle finds Sister
Agnes a pawn in a struggle between the shrink and the Mother Superior.
The former
espouses a scientific explanation
while the latter believes that if it was not a miracle, then God, not a
mortal man,
touched the nun. The verbal
battles could grow numbing were it not for the acting, although the playwright
flavors his
work with some haunting
tales from a hypnotized Agnes. There are secrets in the
past of the older nun and the crisp psychiatrist that also enliven the
tug of war. Yet the performances by Madeleine
Boynton and Anne Sermon, crisp and initially unflappable as Mother Superior
and shrink, respectively, keep the drama
churning for viewers as they reveal their inner selves, then become combatants.
I must register one minor
reservation about Sermon's work. She permits her vulnerability to surface
a bit too early. A more forceful facade would
be better. Still, unless Agnes rings
with credibility, all the acting of the pair of older women goes for naught.
Susan Schoolcraft doesn't permit that to occur.
She brings to the role an ethereal air and a voice that sounds as if it
came from another world. No small measure of credit
goes to Linda Lance, whose direction is straightforward yet replete with
sensitivity. The production at Atonement
Lutheran Church Stage will run Thursday through Saturday at 8 p.m.
Copyright, 1994, The Herald
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