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Post Standard, The (Syracuse,
NY)
November 1, 2005 Section: CNY Edition: Final Page: E4 Column: Joan Vadeboncoeur
Fiction to
fact Joan Vadeboncoeur, Entertainment
Columnist
It used to be labeled science fiction. Today, "Karel
Capek's R.U.R." can be termed science fact. Appleseed Productions is introducing
a new version of the once revolutionary Capek work that removes the stiffness
without sacrificing the chill. It should not be missed.
On a remote island, a company is manufacturing robots, each stage of which
improves on their abilities. The secret use of organs makes them more human.
Mistake for the businessmen and the scientists, since a revolt is bound to
happen when the robots, who have outnumbered their makers, tire of their
masters. Adapter Lee Eric Shackleford, in
tandem with astute director William Edward White, has brought reality and, in
some cases, humor to the characters. Domin, the head of the factory, could be
your dentist or insurance salesman. He holds secrets but behaves as a real
person, especially as acted by Paul Gundersen. The accountant becomes comedic as
well as crass. Another is outright hilarious as he stutters through his terror.
In addition, it is telling to watch the robots as they evolve into figures so
human that emotions start to emerge. At the
end, melodrama enters, which is not needed in a drama that speaks volumes
without resorting to that style. One other problem Shackleford should solve
before moving his adaptation further is lack of a scene for the most human of
the latest generation of robots. Other
noteworthy performances come from Victoria Barrett as Helena, the wealthy patron
who falls for Domin then thwarts his backup plan; from Greg J. Hipius as the
stutterer; and from Andy Godwin as the factory supervisor who is the play's
cautionary character.
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